emily-kriste ceramicist 

The Reconstruction Series 2005 focuses on the sense of repair and the method of assemblage which has resulted in pieces of aesthetic value with reference to tableware.  This questions the need for function in ceramics and concentrates on the notion of labelling in which one identifies an object via particular elements be it a spout or handle and what they are traditionally used for through social consensus. The juxtaposition of sections which have been differently treated, fired or decorated is fundamental to this body of work. The combination of these different qualities of clay and surface treatment compete against one another but simultaneously compliment one another to create a whole.

The Over-Undersized Series 2008 is an extension of those ideas expressed through Reconstruction series, with a concentration on handles in particular. One clay body is used, developing the importance of colour and texture, and the strength  of interaction the pieces hold as individuals and as a collective. Bottles, teapots and other vessels are an important area of study for this series, exploring shape and construction as a platform for certain elements to be exaggerated or understated – handles and lips in particular.

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The composition of 3D pieces is considered through and after each stage of the making process and many are fired up to 5 times before their completion is reached. Space and distance is important – a place of visual rest against the intensity of the patterned, coloured and textured surfaces.

Drawing is integral to the development and exploration of form.  Drawings are taken from many influences such as boats, housing, maps, dressmaking text and patterns, assemblage, the built environment, through to birds and their sense of rhythm and movement.  Such drawing informs 3D investigations and vice versa.

Through all my work I aim to portray a sense of movement through providing a rich aesthetic and an invitation to explore.  Pieces have a relationship to space: where the eye can travel in , around, above, behind and beyond.

Full Member of The Gloucestershire Guild of Craftsmen

Crafts Council National Register of Makers  

Work also available at: Guild Gallery, Painswick, Glos 

 

Studio address: Studio 238, Custard Factory, Gibb Street, Digbeth, Birmingham, B9 4AA 

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comments: 

• We now have your wonderful deconstructed teapot and just want to let you know how thrilled we are, it looks great.
• Thank you so much for the work it's exquisite!
•  The new ceramic work is great Emily. The handles give a sense of taking a functional piece like a mug and stretching it as far as it will go.