Emily-Kriste Wilcox

Much of my work focuses on surface decoration, collage and juxtaposition.   I am interested by the sense of repair and assemblage which has become a driving force to inform my method and construction of making.  The vessel form is a starting point for exploration of shape, space and light.  I like to be able to weave in, around, out and through – to explore the space and how light travels through the holes, handles and silhouette of the piece.
In the process of exaggerating or understating the scale of handles, lips and spouts; the traditional function is removed resulting in pieces which are playful, rich in movement, energy and aesthetic value.
References are diverse and include dressmaking patterns and text, medieval puzzle jugs, windows, boundaries, maps, boats, and the landscape.   I find that drawing and painting is integral to the development of surface treatment, and can inform new pieces.

My work is handbuilt using predominantly a white earthenware body, high fired for strength and colour.  Layers of surface decoration are built up in stages, using slip, underglaze, oxide, glaze, transfer and lustre.  Glaze is used to enhance the surface colours, adding another level of tone and therefore an all-over coverage is not always used.  Pieces often go through multiple firings and as each is individual, the process of building up the surface varies accordingly.